Season 2 Episode 5: Media and Making

Hosted by Vanessa Warne, Jessie Krahn, and Natalie LoVetri

With Guests Danielle Skeehan, Shijia Yu, Kylee-Anne Hingston, and Caley Ehnes

In this episode, we consider drawn and painted images, crafted three-dimensional objects, and, in a first for our podcast, a poem inspired by a work of visual art.

Transcript

Read a complete transcript of the episode here!

Transcript created by Natalie LoVetri.

References & Resources

Learn more about Danielle Skeehan’s research here.

Explore the Buffalo Bill Center of the West, which houses the ledger book art of Sitting Bull.

Check out Danielle’s book, The Fabric of Empire. Material and Literary Cultures of the Global Atlantic, 1650-1850.

Learn more about Shijia Yu’s research on this page.

Visit the V&A website to view Shijia’s paper peepshow template and blog entry.

Read this report about two paper peepshow events hosted by the Birkbeck Centre for Nineteenth-Century Studies in 2018.

Learn more about Kylee-Anne Hingston and Caley Ehnes.

Take a closer look at Henry Thomas Ryall’s engraving of Burton’s painting The blind girl at the holy well (1841).

View these fascinating excerpts from the The Irish Penny Journal (1841) and The Protestant Advocate and Irish Missionary Magazine (1841).

Read Kylee-Anne Hingston’s book, Articulating Bodies: The Narrative Form of Disability and Illness in Victorian Fiction (2019), and Caley Ehnes’s book, Victorian Poetry and the Poetics of the Literary Periodical (2018).

 

Victorian Samplings was recorded and produced on the territory of the lək̓ʷəŋən and SENĆOŦEN speaking communities of the Songhees, Esquimalt, and W̱SÁNEĆ peoples, and on Treaty One Territory, traditional Land of the Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples and homeland of the Métis Nation.


Our podcast theme is “Happy Jazzy Ragtime Piano” by Praded, licensed by AudioJungle; our podcast stinger was made and donated by Brandon Christopher.

Teleorama No. 1, paper peepshow, published by Heinrich Friedrich Müller, about 1825, Austria. Museum no. Gestetner 1. © Victoria and Albert Museum, London.

Victorian Samplings